• selected works
  • the magnificent forms of simple feelings
  • voices from the second floor
  • alternative exits
  • the line as a correction tool
  • k2
  • seven deadly sins
  • this is not me, this is what remained from me
  • historical and geological corrections
  • I love my family because they are amorphous
  • mother, understand me through painture
  • voluntary involuntary
  • dialogues by the door
  • andesite lovers
  • paper works
  • works on canvas
  • sculpture
  • SOLO EXHIBITIONS
  • simplified heavy burdens
  • historcal and geological corrections
  • this is not us, this is what remained from us
  • i never promised you a rose garden
  • what if ...
  • books
  • operation public space
biography
contact
  • selected works
  • the magnificent forms of simple feelings
  • voices from the second floor
  • alternative exits
  • the line as a correction tool
  • k2
  • seven deadly sins
  • this is not me, this is what remained from me
  • historical and geological corrections
  • I love my family because they are amorphous
  • mother, understand me through painture
  • voluntary involuntary
  • dialogues by the door
  • andesite lovers
  • paper works
  • works on canvas
  • sculpture
  • SOLO EXHIBITIONS
  • simplified heavy burdens
  • historcal and geological corrections
  • this is not us, this is what remained from us
  • i never promised you a rose garden
  • what if ...
  • books
  • operation public space
biography
contact
İkinci kattan gelen sesler, 2022, Mekana özgü yerleştirme, karışık teknik, değişken ölçüler
Voices from the second floor, 2022, Site-specific installation with mixed media, dimensions variable